Keywords or Title
Typologies
Date
18991949
Catalog number
Location
Provenance
Ordenar per
CATALOGUE RAISONNÉ OF WORKS BY XAVIER NOGUÉS
Scientific director: Francesc Fontbona; with the cooperation of Cecília Vidal
Technical director: Joan-Francesc Ainaud
Documentation: Santiago Mercader; with the cooperation of Cristina Bartrès
Photographs: Dani Rovira
English translations: Tallers Gràfics Alfa
With the support of:

©Dani Rovira

V0101

Glass with a drunken man standing and holding a bottle

Ref Num.: V0101

Details

Date: c. 1924-1928

Typology: Enamelled glass

Technique: Enamelled glass

Dimensions: 6 x 4.5 (base) x 4.9 cm

Signed: Signed on the base: “Nogués p.” / “Crespo f.”

Location

Barcelona – Galeria Clavell & Morgades

Description

Glass featuring a man in a blue jacket holding a bottle of wine. A number of examples of this glass have been found. Two were at the Palau Antiguitats gallery in Barcelona and are now in a private collection. All the glasses are identical, the only difference being the inscription on the base. One of them reads: “Nogués p. 10 / Crespo f. 8” and another, from the Clavell & Morgades gallery, reads “Nogués p. / Crespo f.” The photograph shows the glass from the Clavell & Morgades gallery, as it is the best available image of the piece.

We would like to thank the Palau Antiguitats and Clavell & Morgades for their assistance in cataloguing the different examples of this glass.

Provenance

Private collection

Exhibitions

Palau Antiguitats, April 2022

Bibliography

Cecília Vidal, Xavier Nogués i els vidres esmaltats al foc, Publicacions Universitat de Barcelona, (doctoral thesis), 1991.
Joan M. Minguet Batllori, Alliberar Xavier Nogués, exhibition catalogue, Palau Antiguitats, Barcelona, April-July 2022, nos. 103 and 104.

Notes

With the collaboration of Conxa Domènech. Xavier Nogués is the author of the drawings and, sometimes, also of the pictorial transposition with enamel on the glass, Ricard Crespo was responsible for the firing of the pieces and Conxa Domènech de Crespo who also traced and reviewed Nogués’ drawings. The degree of Xavier Nogués’ direct participation is especially evident in the finishes and when compared with the original drawings.

Print