Keywords or Title
Typologies
Date
18991949
Catalog number
Location
Provenance
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CATALOGUE RAISONNÉ OF WORKS BY XAVIER NOGUÉS
Scientific director: Francesc Fontbona; with the cooperation of Cecília Vidal
Technical director: Joan-Francesc Ainaud
Documentation: Santiago Mercader; with the cooperation of Cristina Bartrès
Photographs: Dani Rovira
English translations: Tallers Gràfics Alfa
With the support of:

©Dani Rovira

V0072

Glass featuring a drunken man holding a glass and wearing a tailcoat

Ref Num.: V0072

Details

Date: c. 1924-1928

Typology: Enamelled glass

Technique: Enamelled glass

Dimensions: 6 x 4.3 (base) x 4.8 cm

Signed: Signed on the base: “Nogués p. / Crespo f.”

Location

Barcelona – Galeria Clavell & Morgades

Description

Glass featuring a drunken man holding a glass and wearing a tailcoat and striped trousers. Part of a set of glasses. A number of examples of this glass have been found in Barcelona galleries, including Artur Ramon Art (ref. 30.030.075) in March 2024. The Palau Antiguitats had another identical example of the glass on display, with the inscription “Nogués p. / Crespo f. 10 / 8” on the base (now in a private collection). A third glass was found at the Clavell & Morgades gallery, with the inscription “Nogués p. / Crespo f.” The photograph shows the glass from the Clavell & Morgades gallery, as it is the best available image of the piece. The references to exhibitions and bibliography relate to the glass from the Palau Antiguitats.

We would like to thank Artur Ramon Art, the Palau Antiguitats and Clavell & Morgades for their assistance in cataloguing the different examples of this glass.

Provenance

Private collection

Exhibitions

Palau Antiguitats, April 2022

Bibliography

Cecília Vidal, Xavier Nogués i els vidres esmaltats al foc, Publicacions Universitat de Barcelona, (doctoral thesis), 1991.
Joan M. Minguet Batllori, Alliberar Xavier Nogués, exhibition catalogue, Palau Antiguitats, Barcelona, April-July 2022, no. 102.

Notes

With the collaboration of Conxa Domènech. Xavier Nogués is the author of the drawings and, sometimes, also of the pictorial transposition with enamel on the glass, Ricard Crespo was responsible for the firing of the pieces and Conxa Domènech de Crespo who also traced and reviewed Nogués’ drawings. The degree of Xavier Nogués’ direct participation is especially evident in the finishes and when compared with the original drawings.

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