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18991949
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CATALOGUE RAISONNÉ OF WORKS BY XAVIER NOGUÉS
Scientific director: Francesc Fontbona; with the cooperation of Cecília Vidal
Technical director: Joan-Francesc Ainaud
Documentation: Santiago Mercader; with the cooperation of Cristina Bartrès
Photographs: Dani Rovira
English translations: Tallers Gràfics Alfa
With the support of:

©Dani Rovira

V0018

Glass with a female figure

Ref Num.: V0018

Details

Date: 1924

Typology: Enamelled glass

Technique: Enamelled glass

Dimensions: 12 x 4 (base) x 4.6 cm (diameter)

Signed: Signed: “Nogués p. / Crespo f.”

Location

Vilanova i la Geltrú, Biblioteca Museu Víctor Balaguer, no. 5.589

Description

Part of a set of six champagne glasses. It features a standing female figure dressed in blue. Two examples of this glass have been found. One is at the Biblioteca Museu Víctor Balaguer, Vilanova i la Geltrú (no. 5.589) and comes from the collection of Salvador Riera (accessioned in 1996). The other was found at the Clavell & Morgades gallery in Barcelona. The information below refers to the glass in the Balaguer museum collections, while the photographs show the one from the gallery as they are the best available images of the piece.

We would like to thank Mireia Rosich, director of the Biblioteca Museu Víctor Balaguer in Vilanova i la Geltrú, as well as the Clavell & Morgades gallery, for their assistance in cataloguing this work.

Provenance

Salvador Riera collection, 1996

Exhibitions

Museu Víctor Balaguer, November 2011

Bibliography

Cecília Vidal, Xavier Nogués i els vidres esmaltats al foc, Publicacions Universitat de Barcelona, 1991, fig. repr. p. 394. Xavier Nogués a les col·leccions del Museu. Biblioteca Museu Víctor Balaguer, exhibition held at the Museu Víctor Balaguer, Vilanova i la Geltrú, 17th November 2011 – 4th March 2012, Barcelona, 2011, cat. no. 37, p. 119. Cecília Vidal Maynou (dir.), Xavier Nogués (1873-1941), Alfa Books, Fundació Xavier Nogués, Barcelona, 2021, p. 230.

Notes

With the collaboration of Conxa Domènech. Xavier Nogués is the author of the drawings and, sometimes, also of the pictorial transposition with enamel on the glass, Ricard Crespo was responsible for the firing of the pieces and Conxa Domènech de Crespo who also traced and reviewed Nogués’ drawings. The degree of Xavier Nogués’ direct participation is especially evident in the finishes and when compared with the original drawings.

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